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에이드리엔 리치의 레즈비언/페미니스트 시와 시학
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에이드리엔 리치의 레즈비언페미니스트 시와 시학.hwp
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에이드리엔 리치의 레즈비언페미니스트 시와 시학.hwp
[Size :
68 Kbyte
]
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자료설명
에이드리엔 리치의 레즈비언/페미니스트 시와 시학에 대해 조사한 자료입니다.
에이드리엔리치의레즈
에이드리엔리치의레즈
본문/내용
즉 리치는 이 시에서 남성과 여성의 조화로운 균형을 통해서 사회와 문화가 왜곡되고 파괴되는 것을 해결할 수 있다고 보는 것 같다(Keyes 154-5). 이렇게 볼 때 이 시는 여성에 대해서만이 아니라 모든 인간에 대해 말하고 있는 것이다. 왜냐하면 남성이나 여성 모두가 “한 때 배가 한 방향으로 나아가도록 했지만”(once held to a course) “우리는 반쯤 망가진 도구”(we are the half-destroyed instruments)에 불과하기 때문이다. 이 도구가 제 노릇을 하려면 양성이 조화롭게 하나가 되어야 한다. 만약 우리가 성 차이(sexual difference)의 신화가 인류를 지배하도록 계속 용인한다면 “신화집”에 우리의 이름은 앞으로도 계속해서 등장하지 않고 우리와 상관없는 것이 되어버리고 실패를 반복하게 될 것이기 때문이다(Keyes 155). 여기서 리치는 양성합일의 이상을 조화롭고 완전한 인류의 비전으로 제시하고 있는 것이다.
참고문헌
인용문헌
Altieri, Charles. Self and Sensibility in Contemporary American Poetry. Cambridge: Cambridge UP, 1984.
Cooper, Jane Roberta, ed. Reading Adrienne Rich: Reviews and Re-Visions, 1951-81. Ann Arbor: U of Michigan P, 1984.
Davidson, Harriet. “‘In the Wake of Home’: Adrienne Rich’s Politics and Poetics of Location.” Contemporary Poetry Meets Modern Theory. Eds. Antony Easthope and John O. Thompson. Toronto: U of Toronto P, 1991. 166-76.
Dennis, Helen M. “Adrienne Rich: Consciousness Raising as Poetic Method.” Contemporary Poetry Meets Modern Theory. Eds. Antony Easthope and John O. Thompson. Toronto: U of Toronto P, 1991. 177-94.
Draper, R. P. An Introduction to Twentieth-Century Poetry in English. New York: St. Martin’s P, 1999.
Elias, Karen. “The Pain of the Body’s World: Women, Poetry, and Society in the Work of Adrienne Rich.” Sexuality, the Female Gaze, and the Arts: Women, the Arts, and Society. Eds. Ronald Dotterer and Susan Bowers. London: Associated UP, 1992. 115-26.
Henneberg, Sylvia. “The Self-Categorization, Self-Canonization, and Self-Periodization of Adrienne Rich.” Challenging Boundaries: Gender and Periodization. Eds. Joyce W. Warren and Margaret Dickie. Athens: U of Georgia P, 2000. 267-83.
Hogue, Cynthia. Scheming Women: Poetry, Privilege, and the Politics of Subjectivity. Albany: State U of New York P, 1995.
Keyes, Claire. The Aesthetics of Power: The Poetry of Adrienne Rich. Athens: U of Georgia P, 1986.
Martin, Wendy. An American Triptych: Anne Bradstreet, Emily Dickinson, Adrienne Rich. Chapel Hill: U of North Carolina P, 1984.
Martindale, Kathleen. “What Makes Lesbianism Thinkable?: Theorizing Lesbianism from Adrienne Rich to Queer Theory.” Feminist Issues: Race, Class, and Sexuality. Ed. Nancy Mandell. Scarborough, Ontario: Prentice Hall Canada, 1995. 67-94.
Montefiore, Jan. Feminism and Poetry: Language, Experience, Identity in Women’s Writing. London: Pandora, 1987.
Rich, Adrienne. Adrienne Rich’s Poetry and Prose. Eds. Barbara Charlesworth Gelpi and Albert Gelpi. New York: Norton, 1993.
_____. Blood, Bread and Poetry: Selected Prose 1979-1985. New York: Norton, 1986.
_____. “Notes For a Magazine.” Sinister Wisdom 17 (1981): 4-5.
_____. Of Woman Born: Motherhood as Experience and Institution. New York: Norton, 1976.
_____. On Lies, Secrets, and Silence: Selected Prose 1966-1978. New York: Norton, 1979.
Sielke, Sabine. Fashioning the Female Subject: The Intertextual Networking of Dickinson, Moore, and Rich. Ann Arbor: U of Michigan P, 1997.
Vanderbosch, Jane. “Beginning Again.” Reading Adrienne Rich: Reviews and Re-Vision, 1951-81. Ed. Jane Roberta Cooper. Ann Arbor: U of Michigan P, 1984. 111-39.
Werner, Craig. Adrienne Rich: The Poet and Her Critics. Chicago: American Library Association, 1988.
York, Liz. Impertinent Voices: Subversive Strategies in Contemporary Women’s Poetry. New York: Routledge, 1991.
Adrienne Rich’s Lesbian/Feminist
Poetry and Poetics
Since her first collection of poetry, A Change of World (1951), appeared, Adrienne Rich has been a major and influential figure in the literary world. As a poet, feminist thinker, and political activist, she has been not only providing some of the best-written poetry of recent times, but also has written some of the most scholarly books of feminist criticism, such as Of Woman Born: Motherhood as Experience and Institution (1976) and On Lies, Secrets and Silence (1979). Her essays provide an important context for her poems.
Rich’s style and subject matter have undergone significant changes. From the 1970s, Rich began to identify herself as a radical feminist and develop a distinctively woman’s voice. Rich also became aware of the need for a poetic language to explore and rename the unique experiences of women hitherto silenced or unrepresented in literature. So she attempted to shape a language capable of articulating the maternal and feminine experience.
Feminist scholars responded in various ways to Rich’s controversial essay “Compulsory Heterosexuality and Lesbian Existence” (1980), but it has become a cornerstone of feminist and lesbian theorizing. She not only offered a critical analysis of heterosexuality, but reconceptualized lesbian love as natural and normal. Now a politically active lesbian, Rich has accordingly narrowed her poetic perspective to accommodate that position. Rich is both controversial and celebrated for her activism, and developed into not only one of the most widely read but also the most widely resisted woman poets of the century.
ꡔ신영어영문학ꡕ, 21집 (2002. 2), 신영어영문학회, 129-147쪽
한 혜 경
Altieri, Charles. Self and Sensibility in Contemporary American Poetry. Cambridge: Cambridge UP, 1984.
Cooper, Jane Roberta, ed. Reading Adrienne Rich: Reviews and Re-Visions, 1951-81. Ann Arbor: U of Michigan P, 1984.
Davidson, Harriet. “‘In the Wake of Home’: Adrienne Rich’s Politics and Poetics of Location.” Contemporary Poetry Meets Modern Theory. Eds. Antony Easthope and John O. Thompson. Toronto: U of Toronto P, 1991. 166-76.
Dennis, Helen M. “Adrienne Rich: Consciousness Raising as Poetic Method.” Contemporary Poetry Meets Modern Theory. Eds. Antony Easthope and John O. Thompson. Toronto: U of Toronto P, 1991. 177-94.
Draper, R. P. An Introduction to Twentieth-Century Poetry in English. New York: St. Martin’s P, 1999.
Elias, Karen. “The Pain of the Body’s World: Women, Poetry, and Society in the Work of Adrienne Rich.” Sexuality, the Female Gaze, and the Arts: Women, the Arts, and Society. Eds. Ronald Dotterer and Susan Bowers. London: Associated UP, 1992. 115-26.
Henneberg, Sylvia. “The Self-Categorization, Self-Canonization, and Self-Periodization of Adrienne Rich.” Challenging Boundaries: Gender and Periodization. Eds. Joyce W. Warren and Margaret Dickie. Athens: U of Georgia P, 2000. 267-83.
Hogue, Cynthia. Scheming Women: Poetry, Privilege, and the Politics of Subjectivity. Albany: State U of New York P, 1995.
Keyes, Claire. The Aesthetics of Power: The Poetry of Adrienne Rich. Athens: U of Georgia P, 1986.
Martin, Wendy. An American Triptych: Anne Bradstreet, Emily Dickinson, Adrienne Rich. Chapel Hill: U of North Carolina P, 1984.
Martindale, Kathleen. “What Makes Lesbianism Thinkable?: Theorizing Lesbianism from Adrienne Rich to Queer Theory.” Feminist Issues: Race, Class, and Sexuality. Ed. Nancy Mandell. Scarborough, Ontario: Prentice Hall Canada, 1995. 67-94.
Montefiore, Jan. Feminism and Poetry: Language, Experience, Identity in Women’s Writing. London: Pandora, 1987.
Rich, Adrienne. Adrienne Rich’s Poetry and Prose. Eds. Barbara Charlesworth Gelpi and Albert Gelpi. New York: Norton, 1993.
_____. Blood, Bread and Poetry: Selected Prose 1979-1985. New York: Norton, 1986.
_____. “Notes For a Magazine.” Sinister Wisdom 17 (1981): 4-5.
_____. Of Woman Born: Motherhood as Experience and Institution. New York: Norton, 1976.
_____. On Lies, Secrets, and Silence: Selected Prose 1966-1978. New York: Norton, 1979.
Sielke, Sabine. Fashioning the Female Subject: The Intertextual Networking of Dickinson, Moore, and Rich. Ann Arbor: U of Michigan P, 1997.
Vanderbosch, Jane. “Beginning Again.” Reading Adrienne Rich: Reviews and Re-Vision, 1951-81. Ed. Jane Roberta Cooper. Ann Arbor: U of Michigan P, 1984. 111-39.
Werner, Craig. Adrienne Rich: The Poet and Her Critics. Chicago: American Library Association, 1988.
York, Liz. Impertinent Voices: Subversive Strategies in Contemporary Women’s Poetry. New York: Routledge, 1991.
Adrienne Rich’s Lesbian/Feminist
Poetry and Poetics
Since her first collection of poetry, A Change of World (1951), appeared, Adrienne Rich has been a major and influential figure in the literary world. As a poet, feminist thinker, and political activist, she has been not only providing some of the best-written poetry of recent times, but also has written some of the most scholarly books of feminist criticism, such as Of Woman Born: Motherhood as Experience and Institution (1976) and On Lies, Secrets and Silence (1979). Her essays provide an important context for her poems.
Rich’s style and subject matter have undergone significant changes. From the 1970s, Rich began to identify herself as a radical feminist and develop a distinctively woman’s voice. Rich also became aware of the need for a poetic language to explore and rename the unique experiences of women hitherto silenced or unrepresented in literature. So she attempted to shape a language capable of articulating the maternal and feminine experience.
Feminist scholars responded in various ways to Rich’s controversial essay “Compulsory Heterosexuality and Lesbian Existence” (1980), but it has become a cornerstone of feminist and lesbian theorizing. She not only offered a critical analysis of heterosexuality, but reconceptualized lesbian love as natural and normal. Now a politically active lesbian, Rich has accordingly narrowed her poetic perspective to accommodate that position. Rich is both controversial and celebrated for her activism, and developed into not only one of the most widely read but also the most widely resisted woman poets of the century.
ꡔ신영어영문학ꡕ, 21집 (2002. 2), 신영어영문학회, 129-147쪽
한 혜 경
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I D : sean******* Date : 2014-01-30 FileNo : 16139458 |
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