¿Ã·¹Æ÷Æ® : ´ëÇз¹Æ÷Æ®, Á·º¸, ½ÇÇè°úÁ¦, ½Ç½ÀÀÏÁö, ±â¾÷ºÐ¼®, »ç¾÷°èȹ¼­, Çо÷°èȹ¼­, ÀÚ±â¼Ò°³¼­, ¸éÁ¢, ¹æ¼ÛÅë½Å´ëÇÐ, ½ÃÇè ÀÚ·á½Ç
¿Ã·¹Æ÷Æ® : ´ëÇз¹Æ÷Æ®, Á·º¸, ½ÇÇè°úÁ¦, ½Ç½ÀÀÏÁö, ±â¾÷ºÐ¼®, »ç¾÷°èȹ¼­, Çо÷°èȹ¼­, ÀÚ±â¼Ò°³¼­, ¸éÁ¢, ¹æ¼ÛÅë½Å´ëÇÐ, ½ÃÇè ÀÚ·á½Ç
·Î±×ÀΠ ȸ¿ø°¡ÀÔ

ÆÄÆ®³Ê½º

ÀÚ·áµî·Ï
 

Àå¹Ù±¸´Ï

´Ù½Ã¹Þ±â

ÄÚÀÎÃæÀü

¢¸
  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (1 ÆäÀÌÁö)
    1

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (2 ÆäÀÌÁö)
    2

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (3 ÆäÀÌÁö)
    3

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (4 ÆäÀÌÁö)
    4

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (5 ÆäÀÌÁö)
    5

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (6 ÆäÀÌÁö)
    6

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (7 ÆäÀÌÁö)
    7

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (8 ÆäÀÌÁö)
    8

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (9 ÆäÀÌÁö)
    9

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (10 ÆäÀÌÁö)
    10

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (11 ÆäÀÌÁö)
    11

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (12 ÆäÀÌÁö)
    12


  • º» ¹®¼­ÀÇ
    ¹Ì¸®º¸±â´Â
    12 Pg ±îÁö¸¸
    °¡´ÉÇÕ´Ï´Ù.
¢º
Ŭ¸¯ : Å©°Ôº¸±â
  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (1 ÆäÀÌÁö)
    1

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (2 ÆäÀÌÁö)
    2

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (3 ÆäÀÌÁö)
    3

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (4 ÆäÀÌÁö)
    4

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (5 ÆäÀÌÁö)
    5

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (6 ÆäÀÌÁö)
    6

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (7 ÆäÀÌÁö)
    7

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (8 ÆäÀÌÁö)
    8

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (9 ÆäÀÌÁö)
    9

  • ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀÌ¾ß   (10 ÆäÀÌÁö)
    10



  • º» ¹®¼­ÀÇ
    (Å« À̹ÌÁö)
    ¹Ì¸®º¸±â´Â
    10 Page ±îÁö¸¸
    °¡´ÉÇÕ´Ï´Ù.
  ´õºíŬ¸¯ : ´Ý±â
X ´Ý±â
Á¿ìÀ̵¿ : µå·¡±×

³¶¸¸Àû »ó»ó·Â°ú ½ÊÀ̾ß

ÀÎ ¼â
¹Ù·Î°¡±â
Áñ°Üã±â Űº¸µå¸¦ ´­·¯ÁÖ¼¼¿ä
( Ctrl + D )
¸µÅ©º¹»ç ¸µÅ©ÁÖ¼Ò°¡ º¹»ç µÇ¾ú½À´Ï´Ù.
¿øÇÏ´Â °÷¿¡ ºÙÇô³Ö±â Çϼ¼¿ä
( Ctrl + V )
¿ÜºÎ°øÀ¯
ÆÄÀÏ  ³¶¸¸Àû »ó»ó·Â°ú ½ÊÀ̾ß.hwp   [Size : 56 Kbyte ]
ºÐ·®   12 Page
°¡°Ý  1,500 ¿ø


īƮ
´Ù¿î¹Þ±â
īī¿À ID·Î
´Ù¿î ¹Þ±â
±¸±Û ID·Î
´Ù¿î ¹Þ±â
ÆäÀ̽ººÏ ID·Î
´Ù¿î ¹Þ±â
µÚ·Î

ÀÚ·á¼³¸í
¼ÎÀͽºÇǾîÀÇ ´ëÇ¥ÀûÀÎ Èñ±Ø ¡º½ÊÀ̾ߡ»¿¡ ÀÌ·¯ÇÑ ³¶¸¸Àû »ó»ó·ÂÀÌ ¾î¶»°Ô µå·¯³ª ÀÖ´ÂÁö °íÂûÇß½À´Ï´Ù. °ü·Ã º¸°í¼­¸¦ ÀÛ¼ºÇϽ÷Á´Â ºÐµé¿¡°Ô ¸¹Àº Âü°í°¡ µÇ±â¸¦ ¹Ù¶ø´Ï´Ù. ÁÁÀº Æò°¡ ¹ÞÀ¸½Ã±æ ¹Ù¶ø´Ï´Ù.
³¶¸¸Àû»ó»ó·Â°ú½ÊÀ̾ß
¸ñÂ÷/Â÷·Ê
¼­¼úÇüÀÔ´Ï´Ù.
º»¹®/³»¿ë
±×·¸´Ù¸é ¼ÎÀͽºÇǾîÀÇ Èñ±Ø¿¡ ³ªÅ¸³ª´Â ÀÌ·¯ÇÑ ³¶¸¸ÀÇ ÀÌÁßÀûÀÎ Àǹ̴ ±¸Ã¼ÀûÀ¸·Î ¾î¶»°Ô °¡´ÉÇѰ¡? ¿ì¸®°¡ ÁÖ¸ñÇØ¾ß ÇÒ °ÍÀº ¼ÎÀͽºÇǾî Èñ±ØÀÇ ³¶¸¸Àû ¿ä¼ÒµéÀÌ °øÅëÀûÀ¸·Î ¿ì¸®¸¦ Çö½Ç¼¼°è¿Í´Â ´Ù¸¥ °¡»óÀÇ ¼¼°è·Î ²ø¾îµéÀ̸鼭µµ ´ç´ëÀÇ Çö½ÇÀûÀÎ ¹®Á¦µéÀ» ±³¹¦ÇÏ°Ô ´Ù·ç°í ÀÖ´Ù´Â Á¡ÀÌ´Ù. ¼ÎÀͽºÇǾîÀÇ Èñ±Ø¿¡ µîÀåÇÏ´Â ³²³à°£ÀÇ »ç¶ûÀº ÈçÈ÷ Çö½Ç¿¡¼­´Â ½ÅºÐÀ̳ª °è±Þ, ±×¸®°í ¾ï¾ÐÀûÀÎ ±ÇÀ§¿Í ¹ý·ü µîÀ¸·Î ÀÎÇØ ÀÌ·ç¾îÁö±â Èûµç »ç¶ûÀÌÁö¸¸ °á±¹ Çö½ÇÀû Àå¾Ö¸¦ ³Ñ¾î ÇູÇÑ °á¸»¿¡ À̸£°í, ÈçÈ÷ ÆøÇ³¿ì³ª ³­ÆÄ¿Í °°Àº ÀüÇüÀûÀÎ ·Î¸Ç½ºÀÇ ¿ä¼Ò´Â ±âÁ¸ Çö½ÇÀ» ¹þ¾î³ª »õ·Î¿î Áú¼­°¡ Àû¿ëµÇ´Â ´Ù¸¥ »çȸ¸¦ °æÇèÄÉ ÇÏ´Â ¼ö´ÜÀÌ µÈ´Ù. »ç½Ç ¼ÎÀͽºÇǾî Èñ±ØÀÌ º¸¿©ÁÖ´Â ³¶¸¸Àû ¼ºÇâÀº Á¤¹Ý´ëÀÇ ±ØÀû È¿°ú¸¦ ³ºÀ» ¼ö ÀÖ´Ù. ¸ÕÀú ȯ»óÀûÀÌ°í ½Åºñ·Î¿î ÃÊÀÚ¿¬ÀÇ ¼¼°è³ª ºÒ°¡´ÉÇÑ »ç¶ûÀÇ È­ÇÕ°ú °°Àº ³¶¸¸Àû ¿ä¼ÒµéÀº Çö½Ç¼ºÀÌ ¹èÁ¦µÈ »óÅ¿¡¼­ °ü°´µé¿¡°Ô ²ÞÀ» ²Ù´Â µíÇÑ Áñ°Å¿î °æÇèÀ» ¼±»çÇÒ ¼ö ÀÖ´Ù. Áß¼¼ ·Î¸Ç½º¿¡¼­Ã³·³ °ü°´µéÀ» ºÒÇÕ¸®ÇÑ Çö½Ç·ÎºÎÅÍ µµÇÇÇÏ¿© °¡»óÀÇ ¸¸Á·À» ²Þ²Ùµµ·Ï À̲ô´Â °ÍÀÌ´Ù. ÀÌ·¯ÇÑ °æ¿ì »çȸ º¯È­¿¡ ´ëÇÑ Çö½ÇÀûÀÎ ¿å±¸´Â ¹èÁ¦µÇ±â ¸¶·ÃÀÌ´Ù.¡¦(»ý·«)
Âü°í¹®Çå
Barber, C. L. Shakespeare¡¯s Festive Comedy. Princeton: Princeton UP, 1959.
Bate, Jonathan. Shakespeare and The English Romantic Imagination. Oxford: Clarendon Press, 1986.
Belsey, Catherine. ¡°Disrupting sexual difference: meaning and gender in the comedies.¡± Alternative Shakespeares. Ed. John Drakakis. London: Routledge, 1988.
Bergeron, David M. ¡°Come Hell or High Water: Shakespearean Romantic Comedy.¡± Shakespearean Comedy. Ed. Maurice Charney. New York: 1980.
Charlton, H. B. Shakespearean Comedy. London: Methuen, 1966.
Cohen, Derek. Shakespearean Motives. London: Macmillan Press, 1988.
Hawkes, Terence. ¡°Comedy, Orality and Duplicity: Twelfth Night.¡± Shakespeare¡¯s Comedies. Ed. Gary Waller. London: Longman, 1991.
Hollander, John. ¡°¡®Twelfth Night¡¯ and the Morality of Indulgence.¡± Modern Shakespearean Criticism. Ed. Alvin B. Kernan. San Diego: Harcourt Brace Jovanovich, 1970.
Kernan, Albin. ¡°The Plays and the Playwrights.¡± The Revels History of Drama in English III (1576-1613). J. Leeds Barroll et al. London: Methuen, 1975.
Krieger, Elliot. A Marxist Study of Shakespeare¡¯s Comedies. London: Macmillan, 1979.
Laroque, Francois. Shakespeare¡¯s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage. Trans. Janet Lloyd. Cambridge: Cambridge UP, 1988.
Malcolmson, Christina. ¡°¡®What You Will¡¯: Social Mobility and Gender in Twelfth Night.¡± The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed. Valerie Wayne. New York: Harvester Wheatsheaf, 1991.
Mangan, Michael. A Preface to Shakespeare¡¯s Comedies 1594-1603. London: Longman, 1996.
Swinden, Patric. An Introduction to Shakespeare¡¯s Comedies. London: Macmillan, 1973.
Waller, Gary. ¡°Introduction: ¡®Much Joy, Some Terror: Reading Shakespeare¡¯s Comedies Today¡¯.¡± Shakespeare¡¯s Comedies. London: Longman, 1991.
Wrightson, Keith. English Society 1580-1680. New Brunswick: Rutgers UP, 1986.





📝 Regist Info
I D : lwsk******
Date : 2016-01-13
FileNo : 16141978

Cart